11/21/2009

Chapter 9 Analysis by Division: Examining the Parts


Chapter 9 Analysis by Division:
Examining the Parts

Writing Analysis by Division

Procedure

If you need to explain how something works or exists as a unit, you will write an analysis by division. you will break down a unit (your subject) into its parts and explain how each part functions in relation to the operation or existence of the whole. the most important word here is unit. you begin with something that can stand alone or can be regarded separately. the following procedure will guide you in writing an analysis by division: Move from subject to principle, to division, to relationship.

  • Step 1. Begin with something that is a unit (subject).
  • Step 2. State one principle by which the unit can function.
  • Step 3. Divide the unit into parts according to that principle.
  • Step 4. Discuss each of the parts in relation to the unit.
Organization

In an essay of analysis by division, the main parts are likely to be the main points of your outline or main extensions of your cluster. If they are anything else, reconsider your organization..

Sequence of Parts

The order in which you discuss the parts will vary according to the nature of the unit and the way in which you view it.

  • Time: the sequence of the parts in your paragraph or essay can be mainly chronological, or time-based (if you are dealing with something that functions on its own, such as a heart, with the parts presented in relation to stages of the function.)
  • Speace: If your unit is a visual object, especially if, like a pencil, it does nothing by itself, you may discuss the parts in the relation to speace.
  • Emphasis: Because the most emphatic location of any piece of writing is the end( the second most emphatic point is the beginning), consider placing the most signigicant part of the unit at the end.
Two Uses of Analysis by Division

From the wide range of uses of analysis by division mentioned in the introduction, two are featured in the chapter: the restaurant review and the short story review.

Restaurant Review.

Definition

The restaurant review is an article of one or more paragraphs that describes three elements: ambiance, service and food.

  • Ambiance is the atmosphere, mood, or feeling of a place. For restaurant, it may begin with landscaping and architecture. Ambiance is certainly produced by what is inside, such as the furnishing, seating, style, upkeep, sounds, sights, smells, behavior of other customers, and management style--whatever produces that mood or the feeling, even if it is franchise plastic and elevator music.
  • Service is mainly concerned with food delivery and those who do it: their attitude, manners, helpfulness, promptness, accuracy, and availability. Self-service or pickup establishments would be judged by similar standards.
  • Food is the emphasis--its variety, quality, price, and presentation.
Writing the Review

  • Use first person (I) as you relate your experience in a particular restaurant chain.
  • If possible, base your evaluation on more than one item.
  • While you are dining, use a simple outline or listing to make sure you have information on ambiance, service, food.
  • You need not separeate comments on ambiance, service, and food or present them in a particualr order, but be specific in your details and examples.
Shot Story Review

A short story is a brief, imaginative narrative, with numerous functional elements (all of which can be analyzed): setting, conflict, character, plot, theme, and point of view.

The overarching element of the short story is usually the plot. In the simplest terms, the plot begins when a character in a setting experiences (with or without being aware) a conflict. The plot develops as the character deals with the conflict in a single scene or sequence of scenes. All of the narrative is related from a first person (I) or a third person (he, she, they) point of view. The entire presentation has a theme, the underlying generalization or fictional point.

Short stories are fiction, meaning they are a report of what has actually happened, though they may be based squarely on an author's experience.

Writing the Short Story Review

Develop your ideas by referring directly to the story; by explaining; and by using summaries, paraphrases, and quotations. Avoid the temptation to oversummarize.

Use the present tense in relating events in the story. For example, "Jude is trying to survive," not "Jude was trying to survive." Use quotation marks around the words you borrow and provide documentation if firected to do so by your instructor.

A short story review is mainly analytical, it may include your speculation and call forth references to your personal expericence.

Notes:

The restaurant review will almost vertainly use the analysis-by-division pattern.

  • The main parts of a typical review are ambiance, service and food.
  • The review should contain specific descriptive details, examples, and information form the menu.
The short story review is likely to include analysis by division.

  • In a short paper, you would usually use one or more of the short story's elements: setting, conflict, characters, plot, point of view, and theme.
  • Develop your ideas by referring directly to the story; by explaining; and by using summaries, paraphrases, and quotations.
  • Use the present tense in relating events in the story.
Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008

Chapter 8 Exemplification: Writing with Examples


Chapter 8 Exemplification:
Writing with Examples

Writing Exemplification

Exemplification means using examples to explain, convince, or amuse. Lending interest and information to writing, exemplification is one of the most common and effective ways of developing ideas. We also need to know the characteristics of good examples. As supporting information, the best examples are specific, vivid, and representative. In the end, let's mention that the techniques for finding example are listing and clustering.

Use examples to explain, convince, or amuse.

Use examples that are vivid, specific, and representative.

  • Vivid examples attract attention.
  • Specific examples are identifiable.
  • Representative examples are typical and therefore the basis for generalization.
Tie your examples clearly to your thesis.

Draw your examples from what you have read, heard, and experienced.

Brainatorm a list or cluter of possible examples before you write.

The order and number of your examples will depend on the purpose stated in your topic sentence or thesis.

Use the writing process

  • Write and then revise your paragraph or essay as many times as necessary for coherence, Language (usage tone and diction), Unity, Emphasis, Support, and Sentence (CLUESS).
  • Read your work aloud to hear and correct any grammatical errors or awkwardsounding sentences.
  • Edit any problems in fundamentails, such as Capitalization, Omissions, Punctuation, and Spelling (COPS).
Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008

Chapter 7 Descriptive Narration: Moving Through Spece and Time


Chapter 7 Descriptive Narration:
Moving Through Spece and Time


Writing Descriptive Narration

As patterns of writing, description and narration are almost always associated. We would almost never describe something without relating it to somenthing else, especially to a story, or narrative.

What is the Narrative?

The narrative is an account of an incident or a series of incidents that make up a complete and significant action.

Narrative Patterns

  • Situation - is the background for the action.
  • Couflict - is friction, such as a problem in the surroundings, with another person, or within the individual.
  • Struggle - which need not be physical, is the manner of dealing with conflict.
  • Outcome - is the result of the struggle.
  • Meaning - is the significance of the story, which may be deeply philosophical or simple, stated or implied.
Verb Tense

  • Most narratives (often summaries) based on literature are written in the present tense.
  • Most historical events and personal experiences are writtem in the past tense.
Point of View

Point of View shows the writer's relationship to the material and the subject, and it usually doesn't change within a passage.

Dialogue

Dialogue is used purposefully in narration to characterize, particularize, and support ideas.

Descriptive Patterns

Descriptive is the use of words to represent the appearance or nature of something.

Types of Descriptive

  • Effective Objective Description presents the subject clearly and dirctly as it exists outside the realm of emotions.
  • Effective Subjective Description is also concerned with clarity and it may be direct, but it conveys a feeling about the subject and sets a mood while making a point.
Techniques of Descriptive Writing

  • Emphasize a single point (dominant impression).
  • Choose our words with care
  • Eatablish a perspective from which to describe our subject (point of view).
  • Position the details for coherence (order).
Use these techniques or devices as appropriate

  • Images that appeal to the senses (sight smell taste hearing touch) and other details to advance action.
  • Diaglogue
  • ransitional devices (such as next,soon,after,later,then,finally,when,following) to indicate chronological order.
  • Give details concerning action.
  • Be consistent with point of view and verb tense.
  • Keep in mind that most narratives written as college assignments will have an expository purpose, that is, they explain a specific idea.
  • Consider working with a short time frame for short writing assignments. The scope would usually be no more than one incident of brief duration for one paragraph. For example, writing about an entire graduation ceremony might be too complicated, but concentrating on the moment when you walked forward to receive the diploma or the moment when the relatives and friends come down on the field could work very well.
Description

In objective description, use direct, practical language appealing mainly to the sense of sight.

In subjective description, appeal to the reader's feelings, especially through the use of figurative language and the use of images of sight, sound, smell, taste, and touch.

Use concretem, specific words if appropriate. Apply these questions to your writing:

  • What is the subject?
  • What is the dominant impression i am trying to convery?
  • What details support the dominant impression?
  • What is the situation?
  • What is the order of the details?
  • What is the point of view? (first or third person? Involved or objective?)
Consider giving the description a narrative framework. Include some action.


Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008

Chapter 6 Writing the Essay

Chapter 6 Writing the Essay

The Essay Defined in Relation to the Developmental Paragraph

The main parts of the developmental paragraph are the topic sentence (subject and treatment), support (evidence and reasoning), and, often, a concluding sentence. Now let us use that framework to define the essay: The essay is a group of paragraphs, each withthe function of supporting a controlling idea called the thesis.These are the main parts of the essay:

  • Introduction: presents the thesis, which states the controlling idea--much like the topic sentence for a paragraph but on a larger scale.
  • Development: introduces evidence and reasoning-- the support.
  • Transition: point out division of the essay (seldom used in the short essay).
  • Conclusion: provides an appropriate ending--often a restatement of a reflection on the thesis.
Essay may also assume different patterns. It may be primarily one form of discourse: narrarion, description, exposition, or argumentation. It may also be a combination, varying from paragraph to paragraph and even within paragraphs. Regardless of its pattern, the essay will be unified around a central idea, or thesis. The thesis is the assertion or controlling purpose. All with the paragraph, the main point-here, the thesis-will almost certainly be stated, usually in the first paragraph, and again-more often then not-at the end of the essay. The essay on Elvis illustrates this pattern.

The only difference in concept between the topic sentence and the thesis is one of scope: The topic sentence unifies and controls the content of the paragraph, and the thesis does the same for the essay. Because the essay is longer and more complex than the typical paragraph, the thesis may suggest a broader scope and may more explicitly indicate the parts.

Special Paragraphs Within the Essay

Introducations

A good introductory paragraph does many things. It attracts the reader's interest, states or points toward the thesis, and moves the reader smoothly into the body paragraphs, the developmental paragraphs. Here are some introductory methods:

  • Direct statement of the thesis
  • Background
  • Definition of term
  • Quotation
  • Shocking statement
  • Question and Definition
A combination of two or more methods on this list

Conclusions

your concluding paragraph should give the reader the feeling that you have said all you want to say about your subject. Like introductory paragraphs, concluding paragraphs are of various types. Here are some effective ways of concluding a paper:

  • Conclude with a final paragraph or sentence that is a logical part of the body of the paper; that is, one that functions as part of the support.
  • Conclude with a restatement of the thesis in slightly different words, perhaps pointing our its significance or making applications.
  • Conclude with a review of the main points of the discussion--a kind of summary. This is appropriate only if the complexity of the essay makes a summary neccssary.
  • Conclude with an anecdote related to the thesis.
  • Conclude with a quotation related to the thesis.
There are also many ineffective ways of concluding an essay. Do not conclude with the following:

  • a summary when a summar is unnecessary
  • a complaint about the assignment or an apology about the quality of the work
  • an afterthought--that is, something you forgot to discuss in the body of the essay
  • a tagged conclusion- that is, a sentence beginning with such phrases as In conclusion, To conclude, I would like to conclude this discussion, or Last but not least
  • a conclusion that raises additional problems that should have been settled during the discussion
The conclusion is an integral part of the essay and is often a reflection of the introduction. If you have trouble with the conclusion, reread your introduction. Then work for a roundness or completeness in the whole paper.

You can depend on the three stages of the writing process to help you write paragraphs and essays. In the first stage, you are encouraged to explore relevant ideas and perhaps generate a topic sentence or thesis. In the second stage, you move naturally to a precise statement of your topic sentence or thesis and to an organized plan for your support material. Finally, you do the actual writing, revising, and editing of your paragraph or essay. This process also allows for recursive movement: You can go back and forth as you rework your material.





Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008

Chapter 5 Writing the Paragraph


Chapter 5 Writing the Paragraph


The Paragraph Defined

Defining the word paragraph is no easy task because there are four different kinds of paragraphs, each one having a different purpose:

  • Introductory: Usually the first paragraph in an essay, it fives the necessary background and indicated the main idea, called the thesis.
  • Developmental: A unit of several sentences, it expands on an idea.
  • Transitional: A very brief paragraph, it merely directs the reader from one point in the essay to another.
  • Concluding: Usually the last paragraph in an essay, it makes the final comment on the topic.
Basic Paragraph Patterns

The most important point about a developmental paragraph is that it should state an idea and support it. The support, or development, can take several forms, all of which you already use. It can:

  • give an account (tell a story).
  • describe people, things, or events.;
  • explain by analyzing, giving examples, comparing, defining, showing how to do something, or showing causes.
  • argue that something should be done or resisted, that something is true or untrue, or that something is good or bad.
You will not find it difficult to write solid paragraphs once you understand that good writing requires that main ideas have enough support so that your reader can understand how you have arrived at your main conclusions.

Usually the developmental paragraph will be indented only one time. However, you will note in your reading that some writers, especially journalists, break a paragraph into parts and indent more than once in developing a single idea. That arrangement, called a paragraph unit, is fairly common in magazine and newspaper articles (frequently with each sentence indented) but less so in college writing.

The development paragraph is a group of sentences, each with the function of stating or supporting a controlling idea called the topic sentence.


The developmental paragraph contains three parts: the subject, the topic sentence, and the support.


The two main partterns of the developmental paragraph are (A) topic sentence and support, and (B) topic sentence, support, and cocluding sentence.

Pattern A Pattern B

Topic sentence ....................................Topic sentence

Support ................................................Support

Support ................................................Support

Support ................................................Support

..................................................Concluding sentence.


The topic sentence includes what you are writing about-the subject-and what you intend to do with that subject-the treatment.

The outline is a pattern for showing the relationship of ideas. It can be used to reveal the structure and content of something you read or to plan the structure and content of something you intend to write. The following topic outline shows how the parts are arranged on the page as well as how the ideas in it relate to one another.

Main Idea (will usually be the topic sentence for the paragraph or the thesis for the essay)

I. Major support
A. Minor support
  1. Details (specific information of various kinds)
  2. Details
B. Minor support
  1. Details
  2. Details
II. Major support

A. Minor support

B. Minor support
  1. Details
  2. Details
  3. Details

Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008

Chapter 4 The Writing Process: Stage Three Writing/Revising/Editing


Chapter 4 The Writing Process: Stage Three
Writing/Revising/Editing

Writing the First Draft

In Stage Three of the writing process, your work begins to assume tis final form. Use your outline, or alternative form of organization, as a guide in composing your paragraph or essay. For college work, your controlling idea should almost always be clearly stated early in the paper. The Toman-numeral parts of the outline will provide the framework for the main ideas of a paragraph assignment or for the topic sentence ideas in an essay. Supporting information-details, examples, quotations-is likely to be used in approximately the same order as it appears in the outline. Keep in mind that you should not be bound absolutely by the outline. Outline often need to be redone just as your initial writing needs to be redone.

Most writers do best when they go straight through their first draft without stopping to polish sentences or fix small problems. Try that approach. Using the information in your outline and ideas as they occur to you, go ahead and simply write a paragraph or an essay. Do not be slowed down by possible misspelled worlds, flawed punctuation, or ungraceful sentences. You can repair those problems later.

Whether you write in longhand or on a computer depends on what works best for you. Some writers prefer to do a first draft by hand, mark it up, and then go to the computer. Computers save you time in all aspects of your writing, especially revision.

Revising

The term first draft suggests quite accurately that there will be other drafts, or versions, of your writing. Only in the most dire situations, such as an in-class examination when you have time for only one draft, should you be satisfied with a single effort.

What you do beyond the first draft is revision and editing. Revision includes checking for organization, content, and language effectiveness. Editing (discussed later in this chapter) involves a final correcting of simple mistakes and fundamentals such as spelling, punctuation, and capitalization. In practice, editing and revising are not always separate activities, although writers usually wair untill the next-to-the-last draft to edit some minor details and attend to other small points that can be easily overlooked.

Successful revision almost always involves intense, systematic rewriting. You should learn to look for certain aspects of skillful writing as you enrich and repair your first draft. To help you recall these aspects so that you can keep them in mind and examine your material in a comprehensive fashion, this is offers a memory device-an acronym in which each letter suggests an important features of good writing quickly. Soon you will be able to recall and refer to them automatically. These features need not be attended to individually when you revise your writing, although they may be, and they need not be attended to in the order presented here. The acronym is CLUESS (pronounced "clues"), which provides this guide: Coherence, Language, Unity, Emphasis, Support, and Sentences.

Coherence

Conherence is the orderly relationship of ideas, each leading smoothly and logically to the next. You must weave your ideas together so skillfully that the reader can easily see how one idea connects to another and to the central thought. This central thought, of course, is expresed in the topic sentence for a paragraph and in the thesis for an essay. You can achieve coherence efficiently by useing the following:

  • Overall pattern
  • Transitional terms
  • Repetition of key words and important ideas
  • Pronouns
  • Consistent point of view
Overall pattern

Three basic patterns prevail: time (chronology), space (spatial arrangement), and emphasis (strss on ideas). Sometimes you will combine patterns. The coherence of each can be strengthened by using transitional words such as the following:

  • For a time pattern: first, then, soon, later, following, after, at that point
  • For a space pattern: up, down, right, left, beyond, behind, above, below
  • For an emphasis pattern: first, second, third, most, more
Transitional Terms

By using transitional terms you can help reader move easily from one idea to another.

Repetition of Key Words and Important Ideas

Reapeat key words and phrases to keep the main subject in the reader's mind and to maintain the continuity necessart for a smooth flow of logical thought.

Pronouns

Pronouns, such as he, her, them, and it, provide natural connecting links in your writing. Why? Every pronoun refers to an earlier noun (called the antecedent of the pronoun) and thus carries the reader back to that earlier thought.

Consistent Point of View

Point of view shows the writer's relationship to the material, the subject, and it susally does not change within a passage.

Language

In the revision process, the word language takes on a special meaning, referring to usage, tone, and diction. If you are writing with a computer, consider using the thesaurus feature, but keep in mind that no two words share precisely the same meaning.

Usage

Usage is the kind of general style of language we use. All or almost all of us operate on the principle of apropriateness.

Usage is animportant part of writing and revising. Judage what is appropriate for your audience and your purpose. What kind of language is expected? What kind of language is best suited for accomplishing your purpose?

Tone

Tone means that the sound of speaker's voice and maybe the language choices conveyed disrespect to the listener. The tone could have represented any number of feelings about the subject matter and the audience. Tone can have as many variations as you can have feelings: it can, for example, be sarcastic, humorous, serious, cautionary, objective, groveling, angry, bitter, sentimental, enthusiastic, somber, outraged, or living.

Diction

Diction is word choice. If you use good diction, you are finding the best words or a particular purpose in addressing a certain audience. There is some overlap, therefore, between usage and diction.

Unity

A controlling idea, stated or implied, establishes unity in every piece of good writing. It is the certral point around which the supporting material revolves. For a paragraph, the elements are the topic sentence and the supporting sentences.

Do not confuse unity and coherence. Whereas coherence involves the clear movement of thought from sentence to sentence or paragraph to paragraph, unity means staying on the topic. A unified and coherent outline would become incoherent if the parts were scrambled, but the outline trchnically would still be unified. These qualities of writing go together. You should stay on the topic and make clear connections.

Emphasis

Emphasis, a feature of most good writing, helps the reader focus on the main ideas by stressing what is important. It can be achieved in several ways buy mainly through placement of key ideas and through repetition.

  • Placement of ideas
The most emphatic part of any passage, whether a sentence or a book, is the last part, because we usually remember most easily what we read last. The second most emphatic part of a passage is the beginning, because our mind is relatively uncluttered when we read it. For these reasons, among others, the topic sentence or thesis is usually at the beginning of a piece, and it is often restated at the end in an echoing statement.

  • Repetition of Key Word and Important Ideas
Repetition is one of the devices in your writer's toolbox. The words repeated may be single words, phrases, slightly altered sentences, or synonyms. Repetition keeps the dominant subject in the reader's mind and maintains the continuity necessary for a smooth flow of logical thought.

Support

A good developmental paragraph fulfills its function by developing the topic sentence. An essay is complete when it fulfills its function of developing a thesis. Obviously, you will have to judge what is complete. With some subjects, you will need little supporting and explanatory material. With some subjects, you will need little supporting and explanatory material. With others. you will need much more. Incompleteing enough support, be sure that the points of support are presented in the best possible squence.

Sentences

In the revision process, the word sentences refers to the variety of sentence patterns and the correctness of sentence structure.

  • Variety of Sentences
A passage what offers a variety of simple and complicated sentences satisfies the reader, just as various simple and complicated foods go together in a good meal. The writer can introduce variety by including both short and long sentences, by using different sentence patterns, and by beginning sentences in different ways.

  • Length
In revising, examine your writing to make sure that sentences vary in length. A series of short sentences is likely to make the flow seem choppy and the thoughts disconnected. However, single short sentences often work very well. Because they are uncluttered with supporting points and qualifications, they are often direct and forceful. Consider using short sentences to emphasize points and to introduce ideas. Use longer sentences to provide details or show how ideas are related.

  • Variety of Sentence Patterns
Good writing includes a variety of sentence patterns. Although there is no limit to the number of sentences you can write, you may be pleased to discover that the conventional English sentence appears in only four basic patterns.

Each of the four sentence patterns listed has its own purposes and strengths. The simple sentence conveys a single idea. The compound sentence shows, by its structure, that who somewhat equal ideas are connected. The complex sentence shows that one idea is less important than another; that is, it is dependent on, or subordinate to, the idea in the main clause. the compound-complex sentence has the scope of oth the compound sentence and the complex sntence.

  • Variety of Sentence Beginnings
Another way to provide sentence variety is to use different kinds of beginnings. A new beginning may or may not be accompanied by a changed sentence pattern. Among the most common beginnings, other than starting with the subject of the main clause, are those using a prepositional phrase, a dependent clause, or a conjunctive adverb such as therefore, however, or infact.

  • Problems with Sentences
A complete sentence must generally include an independent clause, which is a group of words that contains a subject and a verb and can stand alone. Some groups of words may sound interesting, but they are not really sentences. Three common problem groupings are the fragment, the comma splice, and the run-on.


Editing

Editing, the final stage of the writing process, involves a careful examination of your work. Look for problems with capitalization, omissions, punctuation, and spelling (COPS)

Because you can find spelling errors in writing by others more easily than you can in your own, a computerized spell checker is quite useful. However, it will not detect wrong words that are correctly spelled, so you should always proofread. It is often helpful to leave the piece for a few hours or a day and then reread it as if it were someone else's work.

Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008

Chapter 3 The Writing Process: Stage Two Writing the Controlling Idea/Organizing and Developing Support


Chapter 3 The Writing Process: Stage Two
Writing the Controlling Idea/Organizing and Developing Support

The most important advice can offer you is state your controlling idea and support it. If you have no controlling idea-no topic sentence for a paragraph or thesis for an essay-your writing will be unfocused, and your readers may be confused or bored. But if you organize your material well, so that is supports and develops your controlling idea, you can present your views to your reader with interest, clarity, and persuasis.

Stating the controlling idea and organizing support can be accomplished effectively and systematically. How? This capter presents several uncomplicated techniques you can use in Stage Two of the writing process.

Defining the Controlling Idea

If you tell a friend you are about to write paragraph or an essay, be prepared to hear the question "What are you writing about?" If you answer, "Public schools," your friends will probably be satisfied with the answer but not very interested. The problem is that the phrases public schools offers no sense of limitation or direction. It just indicates your subject, not what you are going to do with it. An effective controlling statement, called the topic sentence for a paragraph and the thesis for an essay, has both a subject and a treatment. The subject is what you intend to write about. The treatment is what you intend to do with your subject.

Writing the Controlling Idea as a Topic Sentence or Thesis

The effective controlling idea presents a treatment that can ne developed with supporting information. The ineffective one is vague, too broad, or too narrow.

In writing a sound controlling idea, be sure that you have included both the subject and the treatment and that the whole statement is not vague, too broad, or too narrow. Instead, it should be phrased so that it invites development. Such phrasing can usually be achieved by limiting time, place, or aspect. The limitation may apply to the subject (instead of schools in general, focus on a particular school0, or it may apply to the treatment (you might compare the subject to something else, as in "do as well academically"). You might limit both the subject and the treatment.

Organizing Support

You have now studied the first part of the even-word sentence "State your controlling idea and support it." In the first stage of the writing process (described in Chaper 2), you explored many ideas, experimented with them, and even developed some approaches to writing about them. You may also have gathered information through reading and note taking. The trchniques of that ifrst stage have already given you some initial support. The next step is to organzie your ideas and information into a paragraph or an essay that is interesting, understandable, and compelling.

Three tools can help you organize your supporting material: listing (a form of brainstorming), clustering, and outlining. You will probably use only one of these organizing tools, depending on course requirements, the assignment, or individual preference.

Listing

Lists are the simplest and most flexible of the organizing tools. Listing need be nothing more than a column of items presenting support material in a useful sequence (time, space, or importance). As you work with your supporting material, you can cross out words or move them around on the list. By leaving vertical space between items, you can easily insert new examples and details.

Clustering

Chains of circles radiating from a central double-bubbled circle from a cluster that shows the relationship of ideas.

Outlining

Outlining is the tool that most people think of in connection with organizing. Because it is flexible and widely used, it will receive the most emphasis in this stage of the writing process. Outlining does basically the same thing that listing and clustering do. Outlining divides the controlling idea into section of support material, divides those sections further, and establishes sequence.

An outline is a framework that can be used in two ways: (1) It can indicate the plan for a paragraph or an essay you intend to write, and (2) it can show the organization of a passage you are reading. The outline of a reading passage and the outline as a plan for writing are identical in form. If you intend to write a summary of a reading selection, then a single outline might be used for both purpose.

The two main outline forms are the sentence outline (each entry is complete sentence) and the topic outline (each entry is a key word or phrase). The topic outline is more common in writing paragraphs and essays.

In the following topic utline, notice first how the parts are arranged on the page: the indentations, the number and letter sequences, the punctuation, and the placement of words.

The most important advice this book can offer you is state your controlling idea and support it. If you have no controlling idea-no topic sentece for a paragraph or thesis for an essay-your writing will be unfocused and your readers may be confused or bored. But if you organize your material well, so that it supports and develops your controlling idea, you can present your views to your readers with interest, clarity, and persuasion.


An effective controlling statement, called the topic sentence for a paragraph and the thesis for an essay, has both a subject and a treatment. The subject is what you intend to write about. The treatment is what you intend to do with your subject.

Three tools can help you organize your supporting material: listing, clustering, and outlining.

  • listing presents support material as a column of items in a useful squence (time, speace, or importance).
  • Clustering uses chains of circles radiating from a central double-bubbled circle to show the relationship of ideas.
  • Outlining can be used in two ways: to plan the structure and content of something you intend to write and to reveal the structure and content fo something you read.
Main Idea (will usually be the topic sentence for a paragraph or the thesis for an esasy)


I. Major support

A. Minor support

  • Explanation, detail, example
  • Explanation, detail, example
B. Minor support

  • Explanation, detail, example
  • Explanation, detail, example

II. Major support

A. Minor support

  • Explanation, detail, example
  • Explanation, detail, example
B. Minor support

  • Explanation, detail, example
  • Explanation, detail, example
Source:Brandon, Lee. Brandon, Kelly. Paragraphs and Essays with Integrated Readings, Tenth Edition. Boston, NY: Houghton Mifflin Company, 2008